PIA Z. EHRHARDT                
         

 

         
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home stories

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March 21, 2005

Setting Sail

We moved suddenly from Minisink Hills to Rome, Italy. My father called me out to the carport where he was washing #7, the British racing green MG-B and he made this change sound like the beginning of the most important adventure. I didn't believe him.

"This is what your mother wants," he said.

I had a crush on my first grade teacher, Mrs. MacIntosh, whose father was famous for having written "When Irish Eyes Are Smiling," and I was infatuated with the next-door neighbor, Leah Lewellyn, who'd had polio and walked with a carved wooden cane. She let Bay and me use her yard like it was an extension of our own. Her house had two stories and felt like a lodge. Bucks' heads and a porcupine frozen in motion had been mounted on the walls, and the fireplace's ledge was stone and wide enough to serve dinner on. We ate our lunch there.

Bay and I liked stairs because our house was split level, and we'd use any excuse to go up and down Mrs. Lewellyn's. An overlook looked wrapped around the living room, and from the second floor I had an aerial view of the sofa, the knotted rug, the bowl of candy centered on the heavy glass coffee table. We didn't get on Leah's nerves. She fried us potato pancakes with apple sauce on the side and treated us better than the children she couldn't have.

I was always ready to attach myself to the next one who might give me a home, because the people I loved stayed for a while and then went away, or, in my grandmother's case, kept me and then had to give me back.

We sailed out of New York harbor on the Cristoforo Colombo, and my Nonna looked down at her shoes and wept bitterly, as if she'd been robbed, a foster family duped by a suddenly healthy mother. My grandfather looked apologetic. Aunt Carmel held a streamer in each hand, blue for Bay and red for me, and we stayed connected by crepe paper until the middle snapped and the ends floated down to the water.
 

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Readables

"The Dead" by Clevelandian Grant Bailie. And Pastoral.

"Startles" by Austintonian Claudia Smith.

"Running Water" by Kent Stateian Tiff Holland.

"Nothing I Say" by Hattiesburger Peggy Price.

"Six Months" by Denverite Kathy Fish.
 

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March 17, 2005

Casserole

I left the hospital and drove home at midnight. The streets were clean and half-empty. On Tuesdays and Thursdays, uptown, the big green sweeper came through, attacking one side one night, the other side the other night, so people had to mark their calendars and remember to switch.

I needed a shower, to wash my hair and put on some soft clothes, my terrycloth slippers. I'd been in high heels all day, black suede pumps shoes I wore to show customers that people really did walk in three-inch heels, but they hurt like hell and I rubbed the cramp out of my foot.

Leftover tuna casserole was in the fridge and I microwaved some in a cup and sat on the sofa to watch CNN. I'd substituted Special K on the top for Cornflakes and it tasted okay. Scotty's dirty socks from his last baseball game were right where he'd left them balled up in the arm chair. I missed him. He'd been an accident, if there were such things. A baby on my shoulder wasn't something I imagined for myself and I wasn't sure why other women could be so single-minded about having a kid. But when the strip turned out positive, all I wanted was to be pregnant. Bay had already had a boy. She did everything first and I usually wanted what she'd just had even if it meant taking it away from her, but you couldn't steal people's kids, although I'd tried this in junior high when I was a babysitter. The little one might cling to you for a while, but she always went back to her mother, which felt like betrayal and relief. What was a 12-year-old girl going to do with a stolen baby? When I was old enough to be a mother, the idea of having my own child frightened me. I'd been such a sneaky babysitter. So I stole men instead. It seemed more fair because you could only hurt the wife/girlfriend who had taken her eye off the ball. I didn't realize that maybe trust was what allowed the cheat, not the inattention.

I opened my flute case and screwed the pieces together. I'd taken lessons when we lived in Canada, had been driven once a week by one of my parents who then waited in Mr. Vanderhoven's kitchen and listened through the door. They'd gotten angry with Bay and me for not practicing enough, had labelled us dilettantes, and we'd both quit playing music in junior high. But I'd kept my flute and I still played in my apartment. No scales, no warm-ups or practicing of difficult passages. This wasn't Carnegie Hall, it was just me walking around my little place in my flannel robe, playing to the windows, to the fridge door to see when Scotty had his next baseball game. This was what my father would have called masturbation. Exactly! I liked slow pieces, things that required plenty of reason to use my vibrato. I'd make it waver slow but with purpose, like the phrase had all the time in the world and no one was stepping on its neck, making it nervous about getting to its conclusion. I hated endings because what would I do when it was over? After I left my parents house I did this: Played the passages I loved over and over again, which felt good. And again.
 

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March 14, 2005

Almost fifteen

Andrew's far left.

 

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March 10, 2005

Mr. Beller's Neighborhood



My story - "Some Light, Some Don't" - is up on the site. It's a busy non-fiction place, organized by neighborhoods in New York City.
 

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March 04, 2005

Midnight Traffic

Midnight Traffic

I didn't feel safe with my parents, but they engrossed me. My father with his fast cars, always something small and brightly colored parked in the driveway, my mother spending too much money on slim skirts and fancy shoes my father worried weren't for him. I watched them like they were a TV program.

During our days in Rome, my father left the apartment to write music for Italian movies that were too racy for Bay and me to watch. When things were going well, he'd be waiting for us when we got home from school, pacing the front sidewalk with his hands in his pockets, brimming with some great idea.

"Gelato!" he'd say. "Go upstairs and get your mother. Bring scarves."

My mother would at first tell us she couldn't go and my father would have to come upstairs and talk her into it. I think she liked to be cajoled, because she'd soon give in and help me and my sister cover our hair in kerchiefs, and then swaddle a silk Pucci scarf around her head and knot it under her chin like Audrey Hepburn did.

We'd go for a spin around the seven hills of Rome. "The pines of the Appian Way!" my father would say, pointing at the skinny trees. "Respighi," he'd say to my mother. "I know," she'd answer, because she did know.

He'd zip us around tight turns in #27, the curvy white Lancia convertible, to get us to an overlook at the top of one hill, too fast for me, and not fast enough for Bay who liked to hang her arm over the side. "Careful," my mother cautioned, which made my father go faster. "Fine cars deserve to be driven," he'd say. "I know that," she'd say. She liked to get the last word. I hated the outside edge on the trip up and second-guessed my fear on the way down. My father knew what he was doing. "Goddammit, quit braking for me," he'd say to my mother, who must have been mashing her foot into the floorboard.

Bay would sit closer to me. "I have to pee."

"Hold it," I'd whisper, and give her a poke in her bladder.

We'd get our ice cream and drive home for dinner, our appetites spoiled.

I was used to hearing them snipe at each other. They had long talks late at night when the house was dark, and I sat at the top of the stairs. I could hear the ice in their drinks, the scrape of chair legs, my mother walking through rooms to get away from him, her high heels clicking on the polished oak floors, muted by the hall carpet, clicking on the kitchen linoleum, and then his heavy footsteps following, begging her back to us.

(From "Speeding In The Driveway")
 

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