PIA Z. EHRHARDT                
         

 

         
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December 21, 2004

The Arithmetic of Nurses

Another stunning short video from Liz Dubleman and VidLit.
 

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Everyday Matters

Indeed. Danny Gregory's book was the first one I read in 2004, and it's generous and honest and beautiful.

He draws everything, even condiments.



I meant to draw more this year, but I forgot. I'm a stick figure girl. But this year I'll try to remember, and maybe even let you look over my shoulder.
 

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Tina Barney



"The insignificance of humanity and of life frightens me. And the sense of doubt, the question of the purpose of our existence, compels me to continuously seek the essence; the depth and value of life. I wish to know what other people feel, else life is too lonely."

(photos from "Theater of Manners" can be found at Noorderlicht)
 

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Things I'd like to give you:

A Grant Bailie

A flash-light

Holiday stories

And my favorite clickable gift to give people who don't mind being struck down daily by words.
 

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December 14, 2004

Orphaned Story: Blackbirds

(from a wonderful site that is no longer - Surgery of Modern Warfare)


My yard is so brown. Still, one hundred blackbirds are scattered all over it, feeding. There's been no rain so they can't be digging for worms. Maybe overnight there was an influx of bugs that live well in dry grass. There are probably more like fifty blackbirds, but I'm not counting. I'm tired from watching the American Movie Classics channel all night. Back-to-back Robert Mitchum films. I stand in front of the window to stare, hope the phone doesn't ring. Then I'll have to move and the birds will startle and lift up and show the red under their wing. The beauty will be quick and utter and over.

I scratch my nose. The birds fly off.

Now, I hope the phone does ring.

It doesn't.

I will call Neil again and try to keep him on the line. I'll describe these birds, and he'll listen, but say he has to go and paint.


The kitchen is dirty. There are pots on the stove from last night, and tiny grits on the floor because I pulled the bag out of the pantry and it was heavier than I thought. I dropped the bag and they spilled out. I swept what I could, but grains went everywhere. I was too rushed to vacuum.

I made cheese grits, veal grillades, green salad, sourdough bread. Neil didn't show. He called to say he was going to stay up all night and work.

Well, art isn't work. Art is love. Making art is someone loving something more.

Neil's paintings are huge. He paints them slowly, and one can take days. They show me up. They're so fucking bucolic. There's not a mean bone in them.

I wrapped up our plates with foil and put them in the fridge, mine on top of his on top of Tupperware that's on top of a bag of lettuce.

Then I had too much time to vacuum.


The blackbirds are in the pine trees making a racket, but you can't see them until they jump branches. It's nice how one flies off and everyone gets up and goes. That's a good way to live. Except for the first bird, who has to be the most daring, and then comfortable knowing what she's done has just affected fifty other birds. I'd be the last bird off the tree.


I scatter grits on the lawn like snow. One cup makes enough for twelve people. Maybe the blackbirds will choke if they eat them raw. I grab the hose and water the grits and try to mash them into the lawn by setting the nozzle on rocket spray.


Neil drives up and gets out of his truck holding a painting in front of him, and all I can see is a brown and white giraffe standing quiet in the middle of so much tundra.
 

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December 08, 2004

Begin Here

And then bookmark Susannah Breslin's novel-blog, please, and keep reading (I'm not gonna call the book by name because my site will get many visitors that'll be disappointed when they realize it's only me, fully clothed. Well, maybe barefoot.)
 

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December 07, 2004

Roz Chast



If you can go and see her show of drawings and painted eggs at The Julie Saul Gallery in nyc, you are lucky.
 

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December 06, 2004

How It Floods

Say I'm crazy about Roger who works in my office building. He gets off on the 23rd floor, so he must have a job with the Army Corps of Engineers. The first minute is mine. When he enters the lobby, I walk toward him and brighten my eyes. I show him I've seen him. He stops to talk to an associate, so I sit in one of the leather chairs, like I'm waiting for someone. He looks again at me over the guy's shoulder on the chance I'm still looking at him. I am. He's trying to listen. I think the guy's his boss, by the way Roger's mostly nodding, and his concentration's shot to hell. I stare. He moves his briefcase to the side and puts his hand in his pocket. His boss finally moves off.

The second minute is his. He walks over to me, says, "I saw you at the grocery." I know he did, but I say, "Oh? What did I buy?" He smiles, says, "Cereal."

Sometimes he has a drink at Pete's Pub after work. I walk up to him at the bar and say, "Hey, again." I ask questions. "What do you do?" "Were you a happy kid?" "Did you marry the woman you wanted, or the one you were engaged to?" He laughs knowingly. It's an interview with no hostility. He gives me answers. He says, "Most women don't listen." We talk some more. When he looks at his watch because he's got to get home, I ask him what he was like in college, and what his wife does, and we have another drink. She's a nurse.


When I was young, my dad taught me about men by telling me how he was with women. He'd talk about these things at dinner and my mom would nod, but I understand now that she had her own ideas, and the only way to keep them hers was to be quiet.
"I married your mother because she couldn't wait any longer to have sex." This was more than I wanted to know and it made me wonder about my mother. She was a bad girl. He'd kept her a good girl, but they didn't seem close, more like irritable siblings. She seemed a little bored with him. I wasn't.

He approved my bikinis. We had a pool in the back yard. He checked tight shirts before my dates -- "If it's in the window it's for sale." When I was in junior high I would break up with boyfriends, sometimes, just for him. It was my gift. He dropped whatever he was doing to give me help. He'd tell me love was easy to get over, and there was more of it -- even better love -- right around the bend, but it was a moving target, not something that settled down and rested, and neither should I.


In the cafeteria line, I brush the back of Roger's hand with my thumb. I follow behind him and dust against the fabric of his shirt. I can almost not be there at all, so slim, and still burn into his memory.

I walk with him to the elevator. I show Roger I am serious by standing too close, not touching him, but my clothes will be on him, and my perfume. The body warmth is so present, I want to ride all day.


(To keep reading, please buy a copy of McSweeney's 14.)
 

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