PIA Z. EHRHARDT                
         

 

         
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January 25, 2004

Out The Door

My mother would let me sit with her and watch while she got ready to go out with my father to some big party. He was modest and didn't allow his daughters in the room where he changed. I would have liked to keep him company, watch him button his shirt and lace his shoes.

My mother worked in front of a make up table with round lights. I sat on a stool beside her, and my little sister played on the floor with shoeboxes and belts.

?These bulbs are much more harsh than where we?re going,? she said. ?I don?t want to look like a clown.?

There were drawers for everything Max Factor. Pots, tubes, sable brushes, and sponges cut into wedges. She?d let me watch while she ?put on her face.? I understood this was an act of grace, a kind of sacrament, something that separated her from a regular mother. This was a face to be stepped into, like a ballgown, that would be taken off at midnight when they?d get home.

She?d prepare her skin, soak a cotton ball with witch hazel. ?What are you doing?? I?d say. I wanted every step to being a woman explained.

?This is astringent to tighten my pores.? She?d show me the dirty puff. ?Oil.?

Then: base, which she called ?pancake? although it looked nothing like the buttermilk stacks she?d make us on Sunday morning. Powder was pressed against her skin to absorb the shine; the eyeliner, perfectly drawn to echo the shape of each eye, except that she extended it into the corners, so her eyes looked more leopard than human.

She leaned into the mirror, working close, and when she was done, turned to look at me. She was too beautiful to touch. I didn?t want to. There was a distance between my mother and me when she was playing her violin, or when she was made up and ready to go out the door, that I needed. Space enough to be an admirer, the lucky daughter of this creature in a red velvet dress with a black cinch belt, stockings with a seam, stiletto pumps in black patent leather. I still know my place around women with their faces on.

Before she put on the brilliant red lipstick, we stood over the bathroom sink and brushed our teeth with Crest, gargled and spit into the sink ? ?Together: one, two, three!?

?I don?t even want to go,? she?d say, ?I hate mayhem, but it?s for your father.? I didn't want the work to go to waste; I assured her she?d have fun with him. She?d spray perfume in the air and step into it, spray a cloud for me and I?d step in, too.

He?d be waiting for her in the living room, and would stand up quickly. ?How do I look?? he?d say, and pirouette to make us laugh, and they?d walk out the door to the car. My father always ran back in for what they?d forgotten: the tickets, the car keys, my mother?s long white gloves, while my mother waited for him beside the car. These messy exits were a chance for one more look at these people I knew I loved too much. I missed them the second the door closed.

In the morning, my parents would sleep late, and my sister and I would curl up on the sofa to watch cartoons with the sound turned low. Rocky and Bullwinkle, Fractured Fairy Tales, Boris and Natasha, Dudley Do-Right. If my father woke up in time, he?d watch them with us and laugh at stuff he said wasn?t just for kids.

There?d be food in the fridge brought home from the party. Chocolate mousse, goose liver pate, fancy crackers and strong cheeses. We?d eat these tidbits for breakfast, set the hors d?oeuvres out on the coffee table and fight over the mousse.

If my mother still wasn?t up, my father would go to her door and knock, and she?d say ?What?s the password?? and he?d say words: ?Angel?? ?Pearl?? ?Gypsy?? ?Lucretia?? but none of them were what she was thinking, and the game would go on too long. He?d go into his study to write music, and my mother would sleep even later.

 

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January 19, 2004

Bison

During the week, my father stayed in his study and wrote music, while my mother argued with my sister and me about homework, our short skirts and raggedy jeans, about how we were too young to go to mixed parties. We weren?t too young, we insisted, veins popping in our necks, but we couldn?t raise our voices. Ten-round heavy weight bouts were going on in the kitchen for those four years of high school and my father barely heard a peep.

If my mother needed him for something, she stood outside his door and knocked, said, ?Can you stop for a moment?? He?d quit what he was doing, come out to talk, and then he?d go back in his study, frustrated, like she?d made him break a vow.

To make extra money, my father wrote music reviews for the Calgary Herald, and on Saturday nights, he went to hear the Symphony, or into recital halls to listen to the chamber music that was being performed around the city. He took me, once, to a performance of Mahler?s Second Symphony because my mother didn?t want to go. He dressed in a tuxedo and cummerbund, and I wore a black velvet dress, nude stockings and Capezios. I imagined every first date would feel like this one, a man at my side, our arms touching, a shared interest in music, and then Coke floats after to compare thoughts.

During the second movement, he put his head in his hand and tried to hide a sob. I?d never seen him cry, and I didn?t understand what had happened to make him feel so much, but I was grateful to be part of something so private, to be there instead of my mother. After the concert, I wanted to ask him how music could do that, but he told me to follow him and rushed backstage, where he left me standing alone. I struck up a conversation with an old lady and her husband. I proudly explained who my father was so I wouldn?t look deserted. It?s taken me a long time to break this habit and not feel like there?s a neon sign over my head when I?m standing by myself. The sign isn?t gone, but it?s smaller and hand-lettered.

On Sundays my father would sleep late and then come downstairs, car keys in hand, and invite my mom and my sister and me to drive with him out into the Canadian prairie. We?d leave Calgary in the late morning and cruise up into the Rocky Mountains, stopping at bison paddocks on the way. The beasts didn?t pay much attention to the cars who filed through. There was plenty of room, a million acres of low grass to roam and nibble. If there were bison close to the fence, my father would stop and park so my mother could take a photo of us standing next to them. I worried that one might rampage like a Spanish bull and plow us down for making a zoo out of them.

On the drive home, we?d do what my mother wanted, and stop at the junkyard on the Blackfoot reservation, outside of Calgary, where she?d scrounge for an old lamp, or milky green Depression glass. My father would work out a price with the Indian man, and my mother would carry the treasure in her lap.

My father has always been proud to say that he never changed a diaper, but from the minute we could sit up, he?d throw us in the car and take us for drives. When we got to be teenagers, my sister and I had other plans on Sunday, but we didn?t want to disappoint him. He was giving us a slice of his time, and as a bonus: mountainous views and bison out our windows, roadside finds, Coke floats and rice pudding for everyone at the truck stop on the way home.

I was a latecomer to what a relief it could be to love other men. What I know now is that we were his portable audience, but all the applause in the world was not going to bring him out of his study more often. His recalcitrance kept me hungry, and I didn?t want to miss a chance with him. I didn?t want to leave my father alone, backstage, while I walked away to fuck and get on with my own business, so I didn?t.

When we went away to college, my sister and I asked my mother for the junkyard pieces to fill up our small apartments, but she said taking the things out of the house would leave holes. Now that my parents are divorced she wants to give us the lamps and glass, and we have no room for them.

There is a bison tusk, though, that I took, and I keep it on my desk. My mother had spotted it close to the fence and she'd climbed over to get it, giggling, while my father kept an eye out for the park rangers. She kept it on her dresser until he married another woman. I think it reminded her too clearly of Sunday drives through the paddocks, and the bison who let us watch them live. Or maybe I?m speaking for myself.
 

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January 13, 2004

Waiting For My Mother

My mother came home after touring for three years as a vocalist and dancer with Ralph Ray and the Ramblers, but I don?t remember being reunited with her. I was four and my sister was two. I?d like to tell you about throwing myself in her outstretched arms, how she lavished me with her kisses, lipstick proof on my face, how she said, ?Darling, I?ve missed you like crazy and I?ll never leave again,? but that would be a reunion I saw in a movie. I don?t know if I?ve forgotten this time because it felt so natural to be with her that memories didn?t have to stick out, or if it was because three months later she was taken away from us again when she contracted tuberculosis. She had to be quarantined in the house in Minisink Hills. My sister and I went back to our grandmother?s house in New Jersey to wait.

The phone would ring during dinner, and my grandmother would talk to my mother, and tell her we were eating well and doing fine. My grandmother would hang up and explain that our mother was still very weak and couldn?t talk long. My father got to stay with her and I didn?t understand how the disease wouldn?t get into his chest, too. And why couldn?t we? My Aunt Elaine, his sister, moved into the house in Minisink Hills to help with meals and laundry. She slept in my room on a twin bed and my grandmother called her in the mornings to help plan menus because my aunt couldn?t cook.

In bed, my mother wore pink silk nightgowns with delicately embroidered linen bed jackets. She saved these and when my sister and I got sick she?d let us borrow them and we'd wear them over our flannel pajamas and feel like little stars.

During the four months that she recuperated, my mother made crafts from kits my father would buy her at the hobby store downtown. One of these pieces still hangs in her living room, a tree with thick branches patchworked out of fabric from our dresses and edged in thick black yarn. She painted a white plaster casting of a queen?s face in bright colors, gave her long eyelashes and bright red lips like her's. For years it sat on the sideboard in the dining room and goggled us while we ate. She knitted my sister and me scarves and matching hats popcorn-stitched out of soft wool so they wouldn't scratch.

My aunt told me years later that Ralph Ray came to see my mother and brought her baskets of fruit and cookies. She caught them kissing in the kitchen, and my mother sluffed it off and told her it was a friendly peck. At night my father played piano in the cocktail lounge at Vacation Valley, but during the day he wrote chamber music and art songs. He had a small office he?d rented downtown because he couldn?t work when people were in the house.

Ralph also brought over a bucket he?d made with a contraption in the bottom that spun so she could make splash paintings. You hooked a clean sheet of paper on nails, and while it rotated you squeezed paint out of tubes to make pictures that looked like explosions. No two could be the same. These paintings were framed and hung in the bathroom, but by the time my sister and I got home the bucket had been put in a box in the basement.

There was a stuffed llama waiting on my bed when we moved back to the house in Minisink Hills. A list of the foods my mother couldn?t have had been left by Aunt Elaine under a magnet on the fridge. My mother sat against fluffed pillows in the bed and put her arms out for hugs. I sat carefully on the edge of the bed, so excited to see her I couldn't bear to touch her.

My x-rays show I was exposed to TB, and I explain to my doctor how my glamorous mother had this romantic illness, like some Louisa May Alcott-showgirl hybrid, how she was taken away from us so cruelly. To my eye my x-rays look clean, but I picture the two of us linked by this brown shadow on our lung.



 

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January 07, 2004

Please, would you read:

Mary Richardson Graham?s story on Reinventing The World because it?s heartbreakingly naked.

Amy Shearn?s stories on Surgery of Modern Warfare because they?re funny and touching.

Kim Chinquee?s story on Konundrum Engine Literary Review because none of her short, short stories should ever be missed.

Claudia Smith?s novella, Part One, on Inkburns because she writes like an angel.

Sue Henderson's story on LitPot because it's sensitive and exquisite.

And Gail Chagall?s new blog Wish It Were Fiction because she feeds it to us straight.

 
       




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